Similar to the tedious processes that mark the production of an episode, Bayani takes shape after a series of coordinative meetings and planning sessions. The systems flow follows that of Sine'skwela, except that, by virtue of its subject material, history-focused institutions like the Kamalaysayan and the University of the Philippines are consulted.

1. PRE-PRODUCTION
   • Selecting and focusing on hero to be featured
     
   • Research on hero's background
     
   • Checking and validation of research
     
   • Distribution of assignments and research papers to writers
     
   • Writers draft storyline
     
   • Presentation to the Creative Committee (membership: representative from DECS, Education Consultant, Operations Manager, History Consultant, Director, Headwriter, Research Department)
     
   • If storyline is approved, first draft of script is written. If not, storyline is revised according to comments of Creative Committee.
     
   • Presentation of script to Creative Committee (script is revised until finally approved)
     
   • Proceed to Production for Taping

2. PRODUCTION
   • Pre-production meeting: discussion and finalization of the following:
     
     1. Set design
        
     2. Costume design and execution/sourcing
        
     3. Talents
        
     4. Props
        
     5. Director
        
   • Location hunting
     
   • Taping proper

3. POST PRODUCTION
   • Editing
     
   • Shooting of (additional) video inserts
     
   • Scoring
     
   • Preview of Creative Committee (revisions are made if necessary)
     
   • Preview by Program Evaluation Committee (membership: Producer, all Executive Producers, Directors, Operations Manager, Research Department representative, Logistics Department, all Headwriters)
     (revisions are made if necessary based on comments of Program Evaluation Committee)
     
   • Airing and publicity and promotions, choice episodes are anthologized for distribution in VHS tape format